On copyright on mouvement, on the interpretation of copyright.
Can the copyright address movement in its essence or is it reduced to seize it only by its still images? It is justifiable that the law seizes the movement to make it privative while the mobility of the body and the face have to remain the privilege of all? Could we force the body to a mobility steered by copyright? But how to protect a choreographed, a constructed gesture without threatening freedom of movement?