Clear

Brussels (November 17 - December 2, 2007)

Jonctions / Verbindingen 10: Tracks in electr(on)ic fields

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Cristina Clar

http://ccx.free.fr/bio/

Born in Bruck an der Mur, Austria, in 1974
Studies at the Sorbonne, Paris, the University of Vienna, Austria, the École Nationale Supérieure des Beaux Arts de Paris (Énsb-a), the Slade School of Fine Art, London and at IRCAM, Paris (Summer Academy)
Collaborations and professional experiences Video and stage design assistance
for several opera productions: ’The Rake’s Progress’ directed by Robert Lepage, La Monnaie Brussels in 2007; ’Le Grand Macabre’ by G. Ligeti, Salzburg Festival 1997, ’St. François d´Assise’ by O. Messiaen, Salzburg Festival 1998, ’El Niño’ by J. Adams, Théâtre du Châtelet Paris 2000, all directed by Peter Sellars

Video shooting and post production for the exhibit ’Balenciaga.Paris’ at the Fashion Museum in Paris, for the multimedia agency arbanet, for tnc network (the specialists in
electronic event design, Libération) during events like gamehotel and ars electronica, for ’La Grande Halle de la Villette’ during events like ’Rencontres urbaines’ and ’Villette numérique’, for the Circus Academy Fratellini, for the children’s workshop at the
Centre Georges Pompidou and artist François Durif.

Sound recording and post production for the dancer Ula Sickle for her solo ’Im/possible figures’ at ccBE in Antwerp, for the composer Nicolas Frize (listen), for the company Fábrica Teatro, sound operator for the documentary ’Scène d’amour’ directed by Nathalie Latham, produced by Mezzo and Point du Jour, sound production for several
websites; collaboration on installations with the artist Marcos Lutyens and architect Roberto Benavente.

Feed Real Feel Read workshop 1Workshop Icecast streaming Feed Real Feel Read workshop 2Feed Real Feel Read workshop 3