He was born in 1956 in LinkÅ¡ping, Sweden.
He lives and works in Stockholm. Since the end of the 70s, Hausswolf has worked as a composer using the tape recorder as his main instrument and as a conceptual visual artist working with performance art, light- and sound installations and photography.
His audio compositions from 1979 to 1992, constructed almost exclusively from basic material taken from earlier audiovisual installations and performance works, consists essentially of complex macromal drones with a surface of aesthetic elegance and beauty. In later works, Hausswolff has retained the aesthetic elegance and the drone and added a purely isolationistic sonic condition to composing. Between 1996 and 2005 Hausswolff has boiled away even more ornamental meat from the bones: his works are pure, intuitive studies of electricity, frequency functions and tonal autism within the framework of a conceptual stringent cryption. Hausswolff’s music has been performed throughout Europe and in North America and Asia in festivals such as Sonar, Electrograph and I.D.E.A.L. In these concerts a very physical, almost brutal, side of Hausswolff’s work has broken through. The audience very often fall into a form of trance, dosing away in their seats. Other times people from the events has thanks him "for the massage" or has expressed a "feeling that the flesh came off the bones" due to the vibrations of the low frequencies used.